Creative Strategist
I rarely see a project only for what it is; I'm drawn to what it could become. Bringing together ideas, materials, and unlikely connections, I design AI-enabled learning, content, and cultural experiences that make complex material engaging and accessible, from archival exhibitions and international workshops to custom AI tools.
A few of the personal projects that keep my creative practice alive.
Awarded by SUNY Buffalo State's Center for Applied Imagination to master's students who demonstrate high skill in creative problem solving and inspire creative action in others. Additional honors in literary scholarship, including Sigma Tau Delta.
Archival Curation · Digital Experience · Featured Case Study
Design a physical exhibit honoring the founders of Creative Studies.
Expanded the brief into a connected physical and digital experience, built around visitor-centered questions.
Led design and content strategy end to end, from artifact selection to digital experience.
A permanent public exhibition in Butler Library, extended online through a companion website and an AI-powered Curiosity Cabinet.
The Challenge
Contracted by SUNY Buffalo State, I was brought in to help bring the Sidney and Bea Parnes Archival Collection to life for the Center for Applied Imagination. The brief was straightforward: design a physical exhibit honoring the founders of the field of Creative Studies.
Creative Problem Solving, or CPS, is a structured methodology for innovation and creative thinking, developed at Buffalo State.
Seeing the Opportunity
The display cases could only hold a fraction of the collection, and the story felt too rich to end at the gallery walls. Rather than treating the brief as the finish line, I proposed extending it through a companion website, custom AI tools, and interactive digital elements so visitors could engage with the collection before, during, and after their visit.
Questions That Guided Me
My best work starts with questions circling in my mind. A few were:
How might I capture this layered story in an emotional arc others can connect to?
How do I create continuity between the physical and digital experience?
How might I pique someone's curiosity enough to extend their learning?
Bringing It to Life
Before the Visit
The website extends the exhibition experience, giving visitors multiple entry points into the story before, during, and after they visit.
During the Visit
Inside the gallery: the physical exhibition itself, its narrative structure, artifact selection, storytelling, exhibit flow, and interpretive content. Every case and label was chosen to guide visitors through an emotional and narrative arc, helping them connect personally with the founders' work.
Beyond the Exhibition
The Curiosity Cabinet
The exhibition could only hold so much. Countless stories, artifacts, and connections remained tucked away in the archives, waiting to be discovered. I wanted to create a way for visitors to keep exploring beyond the display cases.
Inspired by the archival cabinets themselves, I designed a digital Curiosity Cabinet. Visitors could open drawers to uncover hidden stories, explore additional artifacts, and even try a creative problem-solving exercise on their own. The AI feature enabled people to explore from afar and is a place where curiosity could continue long after someone stepped away from the display.
International Facilitation · Speaking · Featured Case Study
Teach AI concepts across two sessions with limited or no internet access, without relying on participants having live technology.
Rebuilt both sessions around human facilitation and analog activities instead of live tech demos.
Sole designer and facilitator for both sessions.
Two learning experiences that made AI concepts tangible, one fully analog, the other rebuilt around human facilitation instead of live participant tech.
The Challenge
Designed and facilitated two sessions for an international audience at CREA Conference in Sestri Levante, Italy, teaching AI concepts as part of a core learning program, but without internet access for myself or the participants. Later, I encountered a similar challenge while preparing a 90-minute workshop on custom CPS chatbots, where unreliable internet meant I needed an engaging backup plan that didn't rely on live technology.
Seeing the Opportunity
Rather than viewing these constraints as limitations, I used them to rethink the learning experience. Instead of demonstrating AI, I focused on helping participants understand how AI works, why prompts matter, and why human leadership and judgment remain essential.
Bringing It to Life
AI in a Bag
I designed a fully analog learning experience that could fit inside my suitcase. Participants moved through a series of hands-on activities, each working with only part of the available information. By experiencing how an original idea changed as it passed through different stages of interpretation, they gained a tangible understanding of how prompts shape AI outputs and why specificity matters. The activity sparked rich conversations about prompting, interpretation, and the relationship between input and output, all without opening a laptop.
Custom CPS Chatbots Workshop
For the 90-minute session, I redesigned the format around human facilitation rather than live demonstrations. Participants first worked through the Clarify and Ideate stages together before comparing their thinking with the responses generated by the custom AI bots. Beginning with the human experience created a meaningful point of comparison, leading to thoughtful discussions about where AI added value, where it fell short, and how it could best serve as a creative thinking partner rather than a replacement.
Reflection
This experience reinforced a foundational truth: the best learning experiences depend on thoughtful design, not technology. Constraints often become invitations to think differently, and some of the most engaging moments emerge when creative thinking becomes the center of the experience.
Event Production · Digital Communications
Managed digital communications, social media, and marketing timelines for the Creativity Expert Exchange, an annual international creativity conference, coordinating across speakers, logistics, and platform teams to support more than 300 registered participants.
Digital Experience · Accessibility
Two related strands of work at the Center for Applied Imagination: building web experiences that make scattered information easy to find, and bringing existing departmental content up to state accessibility standards so it works for everyone.
Conference Website
Workshop access, keynote details, speaker biographies, schedules, and session materials for the CEE conference lived in a spreadsheet that created friction for every attendee trying to find something. I proposed and built a dedicated website that pulled all of it into one place, so participants could navigate the program themselves instead of asking where things were.
Archives & Accessibility
I designed the web pages for the Alex Osborn Archives and the Mid-Century Creativity Suite, turning dense historical materials into something a visitor can actually browse. Running alongside that work, I brought 100+ documents of departmental web and instructional content into compliance with New York State digital accessibility standards.
AI Development · Learning Design
I developed and tested custom chatbots for the Creative Problem Solving (CPS) process as part of a SUNY grant-funded project team. Testing the bots independently, beyond the project's defined scope, I surfaced a first-time-user usability gap that led the team to restructure the experience.
The bots were adopted by multiple universities in the SUNY system. To support implementation, I co-authored a comprehensive user guide that works as both a workbook and a reusable learning resource, with embedded bots that let users learn and apply the Creative Problem Solving process in one place.
AI shows up elsewhere in my work too: With institutional support and archival source material, I proposed and produced a series of AI-assisted welcome videos for an interactive brainstorming space, drawing on archival research and the founders' recorded speeches to recreate their voices, and integrating the videos into the room via QR codes.
Creative Entrepreneurship
Founder of Aurora Clementina, a floral design and European bakery business I run end to end: brand and positioning, client consultation, design, production, and delivery. I take on weddings and events of all sizes, and build custom dessert tables for gatherings of up to 150 guests.
In my floral work, I enjoy finding creative solutions for weddings of all sizes and budgets. Every couple has a different story, and many don't arrive with a fully formed vision. Through conversation, Pinterest boards, and getting to know who they are, I develop a design direction that reflects their personality and relationship. More than once, after presenting a concept, I've heard, "I trust you," and been given the creative freedom to bring it to life. It has been a fascinating experience translating love, personality, and emotion into flowers.
Baking is the other half of the business: traditional European recipes with unexpected twists. A semolina shortbread pairs an English cookie with Italian flour, pressed with a Polish rolling pin; an Aperol Spritz cake tops a French yogurt cake with Aperol-soaked oranges.
Florals and baking come from the same instinct: noticing what a moment calls for and building something specific to it, for someone else.
Literacy Intervention · Middle School · Creative Confidence
A two-month poetry unit for a middle school literacy intervention class. I started with data on what these learners actually needed: formal literacy assessments alongside informal, observational notes from earlier work with the same students. That shaped a unit designed to move engagement and literacy outcomes together, while building creative thinking and both personal and academic confidence.
We started away from the page, pairing music, visualization, and imagery with classical and modern poems. From there students moved into their own writing, editing for meaning, then practicing fluency and presence out loud.
The unit closed with a small poetry slam at a local cafe, students reading their own work to each other over hot cocoa and snacks. Many hadn't thought of themselves as writers going in. By the end, they were choosing to read their words out loud in public.
Creative Practice
Outside of my professional and academic work, I maintain a hands-on creative practice across drawing, painting, and interiors. This charcoal piece was created entirely through subtraction: I covered the page in charcoal, then worked backward with an eraser to reveal the image.
I brought that same experimental mindset to renovating my home, holding onto a larger vision while teaching myself new techniques, reworking layouts, refinishing furniture, and making hundreds of small decisions along the way. Both practices remind me that creative work is iterative: you begin with an idea, stay responsive to the material, and refine until the pieces feel coherent.
Community Leadership & Social Impact · Founder & Organizer
I founded Bags of Blessings to provide people experiencing homelessness with immediate necessities and information connecting them to longer-term support. Over two years, I secured donations, contributed personal funding, sourced supplies, and assembled and distributed hundreds of bags throughout New York's Hudson Valley. Each bag included essential items as well as a resource guide I researched and wrote covering local shelters, meal programs, and outreach services.
In 2015, I expanded the initiative to Budapest, Hungary, where I organized a small team of volunteers to assemble and distribute over 100 additional bags. I am currently drafting a relaunch proposal focused on securing funding and developing an updated, locally informed response to current community needs.
Designed and facilitated a Creative Problem Solving experience for nine interns, guiding them through an Explore, Imagine, Shape process around the open challenge of improving HVFCU. The group identified and developed a working concept focused on building financial literacy earlier for members, using AI as a mechanism to support the idea. Participants then developed and pitched their concept to the executive board, including the organization's chief executives.
Provided a learning model from my master's research, along with AI integration considerations, to support the development of a training session for newly hired instructors.
Designed and facilitated two sessions for an international audience, a standalone workshop and a session within the conference's core learning program:
Co-presented keynote research on custom AI development and Creative Problem Solving for an international virtual audience.
Co-developing an applied AI learning experience that helps teams examine real workflows, identify where AI may add value, experiment with it, and evaluate whether it actually improves the work.
I work by asking questions, noticing what is really needed before it is fully articulated, and finding connections between people, ideas, materials, and technologies. Research gives me a foundation; curiosity helps me see past the initial brief; and experience across teaching, design, AI, and facilitation lets me carry an idea through to execution.
A decade of solo travel strengthened that instinct. Museums, back roads, and conversations with people from every walk of life taught me to observe closely, adapt when plans change, and stay curious. That space between the original brief and what the work could become is where I do my best thinking.
I'm looking for roles in learning design, content strategy, and AI-enabled experience design, where the work involves figuring out what a project could become and then building it. If something here lines up with what you're working on, I'd like to hear about it.
Open to remote, hybrid, or relocation. LinkedIn is the best way to reach me.